will be realized in collaboration with the photographic archives of research institutions: ENI, ESA, ENEA, CNR, ICR, and private companies. In this section, photography will demonstrate to be a fundamental tool in supporting the study and analysis of scientific factors starting from the second half of the nineteenth century.
Will be realized with works whose purpose and vocation are predominantly the divulgationof scientific thought. The thematic areas covered range from astronomy to biology and mineralogy, cultural goods, to IR and UV reflectographic shots, etc.
Will present photography that acts asa bridge between artistic authorship and scientific demands. In this section, photographic narratives of Science Fiction will also find hospitality.
Will feature an artist’s intervention, chosen by the Artistic Directorof the festival, aimed at producing a permanentwork, site-specific,designed for the characteristics of the territory and aimed at enhancing it.
responding to the theme: “The future of science fiction? We live in it. […]”(William Gibson). Starting from this reflection by the well-known writer, this section will host photographic narratives that question the present, with particular attention to the relationship between humans, technology, science,and science fiction.
Will consist of creating an immersive cabine for a multisensory experience, inside which NASA and/or ESA films will be projected, simulating the view of cosmic space seen from the portholes of a spacecraft.
The choice of Colleferro as the venue for this event is determined by the analysis of the history of a territory that was born with a fundamentally industrial, techno-scientific vocation, on the outskirts of Rome, and that over time, despite difficulties and adverse events, has not only maintained but also revitalized this perspectivelookingto the future. A place that daily confronts apparently incompatible demands and policies, those conservativeaimed at safeguarding the integrity of the territory, and those of the need to provide for its transformation. The metropolitan area of Colleferro offers itself, among other things, as a context in which prestigious disused industrial factories insist, which need to be revalued through proposals and reuse projects with cultural significance. Our idea aligns with this direction. This proposal arises from the awareness of the importance that photography, since its advent, has had in constructing a new visual history of the world, with particular reference to the unstoppable progress of scientific thought and its divulgation. With equal awareness, we note the absence of moments of collective reflection on this theme. Hence the need to fill this void with the proposal to organize an international photography festival between Science and Art.